There's So Much Beauty in a Storm
urs0vain:

4amskin:

Sometimes I look at people and make myself try and feel them as more than just a random person walking by. I imagine how deeply they’ve fallen in love, or how much heartbreak they’ve all been through.
Her (2013)

still need to see this

urs0vain:

4amskin:

Sometimes I look at people and make myself try and feel them as more than just a random person walking by. I imagine how deeply they’ve fallen in love, or how much heartbreak they’ve all been through.

Her (2013)

still need to see this

Feeling unsure and lost is part of your path. Don’t avoid it. See what those feelings are showing you and use it. Take a breath. You’ll be okay. Even if you don’t feel okay all the time.
Louis C.K. (via psych-facts)
skinny-charlatan:

"Meet me in the bathroom"

skinny-charlatan:

"Meet me in the bathroom"


"The scorpion was a visual representation of the scorpion and the frog fable. Yet there’s obviously this emotional side to Driver that makes him not only fall in love, but be willing to make a sacrifice. Making that sacrifice is sort of done by making the scorpion side come out. And the scene in the elevator is a turning point: There’s no going back. There’s no, ‘That’s not really me.’ She sees a side that had to come out in order to protect her, and she can’t embrace it. He knows she’ll never embrace it, and their relationship will stay one of sacrifice. Framing the scorpion without his head, it shows you that it will be the controller of his destiny." - Director of Photography, Newton Thomas Sigel on this shot.

"The scorpion was a visual representation of the scorpion and the frog fable. Yet there’s obviously this emotional side to Driver that makes him not only fall in love, but be willing to make a sacrifice. Making that sacrifice is sort of done by making the scorpion side come out. And the scene in the elevator is a turning point: There’s no going back. There’s no, ‘That’s not really me.’ She sees a side that had to come out in order to protect her, and she can’t embrace it. He knows she’ll never embrace it, and their relationship will stay one of sacrifice. Framing the scorpion without his head, it shows you that it will be the controller of his destiny." - Director of Photography, Newton Thomas Sigel on this shot.

brianmichaelbendis:

Ink Drawings of Famous European Cities by Sunga Park

Death Cab For Cutie - Transatlanticism
5,843 plays

liftedtwisted:

"I need you so much closer"

rynnay:

watch both their faces go from “courteous TV smile” to “not paid enough for this bullshit”